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Nightshade Rough Draft [Part 1]
By Aragorn
For those who did not read the treatment, here's how I got the idea for this. One day me and my friend Curtis were super-bored. My parents were out of town and he was staying over for the weekend. So what we did was take out my video camera and start making a movie titled 'Our Cool Life', however this movie we were making it up as we went along (Improving). It started off with me (Wearing various articles of clothes bunched up under my shirt as breasts and a dishcloth over my head as long hair) playing as Allison, a girl pissed off with her parents. She packs her bag and run anyways. The next day Jeff gets a call from his friend Curtis saying that Allison is missing. Then we cut to Allison hitchhiking (Keep in mind ALL of this was filmed in one room of my house) where she gets kidnapped by a truck driver with a lesbian daughter (The daughter is never seen, only talked about). Jeff becomes Nightboy, Boy of the Streets, and goes and saves her. Running time was 24 minutes.
Then a half a year later the same situation, so we decide to make a sequel that we ended up calling 'Our Fun Life'. Again, completely improv. It starts off with Jeff moving back to Newfoundland, his ex Roberta getting into a fight with her boyfriend Neil, and Jeff telling his best friend Ryan, his secret about being Nightboy. Neil gets injured and goes sees a Doctor. Roberta disappears and Neil gets blamed for it until he shows up dead. Two detectives get on the case and start investigating. They discover that the truck driver with the lesbian daughter from the first movie had escaped prison and tracked Jeff down to there, posing as a dr (Yes, he's the dr from earlier). However before they could apprehend him, they get blown up in their car. Jeff learns of this and becomes Nightboy and goes off to save Roberta, fighting many henchmen (All invisible oddly enough, lol) and then shows down with the Truck Driver with the Lesbian Daughter (No, we never gave him a name), right before he was about to kill Roberta. Bad guy gets killed and Nightboy saves the day. Running time was 46 minutes.
Then we rushed and started making the third and final film titled 'Our Scary Life', once again, improving it. Basically what happened was a killer (Dressed in a gray blanket as a cape and a skeleton mask) was killing off Jeff's friends and Jeff had to become Nightboy and find out who was doing the killing. It was more of a horror then action, but we never did finish filming it. Running time was 20 minutes, but we never finished making it, so if we did it would have been a lot longer. It was shaping up to be longer then the second movie.
After that the tape with all those on accidentally got taped over, making me extremely pissed off. I haven’t talked to Curtis in over a year now, plus I've moved a few times since then, so we can't really re-enact them and re-film them. Plus the thing that made them so hilarious and fun to watch was the fact that we were making them up, line-for-line, as we went along.
Anyway as a way to deal with stress, what I'll do is write short stories (Anywhere from a page to twenty-odd pages) about Nightboy doing what I want to do. Like if I'm pissed off at someone stabbing me in the back and I feel extremely upset over it, I'll write a short piece about Nightboy being stabbed in the back by the person and him going after them or something. He's basically my dark side. He smokes, does drugs, kills people (Crooks and thugs) just to relieve stress.
As I got older, I realized Nightboy was a really childish name for a 19 (Almost 20) year old. So I changed his name from Nightboy to Arch Angel. I kept his look complete the same though. Anyway, after all that, I decided to write a treatment for a script based off my Nightboy/Arch Angel hero. Then after THAT, I discovered that Arch Angel was already the name of a copyrighted superhero, so I had to change it yet AGAIN. This time I changed it back to something similar to the original name: Nightshade.
The script doesn't start off with him being so dark, but I plan, over the course of a two or three scripts, to have him slowly turn darker and darker each time.
This is only a rough draft of the script. There's only enough scenes and characterization to move the script along and get it to where I want it. When this is fully complete, I will go back over it and add in alot more scenes and characterization.
NIGHTSHADE
By
Jeff Long
Open On:
EXT. TOWN OF ST. WAINLUK – NIGHT - AERIAL SHOT
We see the entire town from above, lights from various sources, shining through the darkness of night.
EXT. MAIN STREET – NIGHT
It is long past midnight, Main Street deserted, all the stores closed. A teenage girl stumbles down the sidewalk, obviously drunk. Under her opened jacket, she wears a dress, making it obvious that she was just at a party.
She stumbles and catches herself on the side of a building, giggling. She straightens up and continues walking/stumbling down the sidewalk. She passes by a pitch black alley. After she passes by, multiple voices of laughter echo from inside the alley. We cannot see the people due to the darkness.
The laughter gets a bit louder and louder as we see three shapes walk out from the alley, snickering. All three wear trench coats. One of the gang members, TODD, has green hair with a medallion hanging around his neck in the shape of a circle, with a green jewel in the middle. On one side of him is JOHNER. Johner is a bit on the short side and a tad chubby. His black hair is spiked up. On the other side of Todd is a taller man, who also has his hair spiked up. This is BRAD. All three of them carry baseball bats, and Brad also wears a pair of knuckle rings.
The trio starts following the girl, quickly closing the gap between them and her. She leans against a wall to catch her balance. Todd rushes and stands in front of her, blocking her path. She turns to move around him but Brad steps in her way. She turns around to face the way she came from, but Johner blocks that path. They have her surrounded.
GIRL
(Slurring)
Let me by!
TODD
Oh come now, sweet thing. Surly you aren’t ready to go home. You know, we can have our own party right here.
Todd leans in and licks the girl’s cheek. She tries to cower in disgust.
GIRL
Leave me alone…
TODD
Oh come on! We’re pretty good partiers.
Todd leans in to her again, but slams her foot forward, nailing Todd in the shin. He lets out a yell and bends down to rub his shin. The girl cowers away, only to have Johner grab her by the hair and tilt her head back. She begins to cry. Todd stands up.
TODD
Hold her still, Johner. Time we teach this bitch how to respect people.
Brad steps closer to the girl, raising his bat high in the air. Just as he is about to swing it down, a gloved hand flies out of the darkness from behind him and grabs the bat. The hand pulls the bat back, causing Brad to step back as well. The bat gets yanked from brad’s hands and flung away. The three punks turn their heads to look at the newcomer.
The figure is dressed in black from head to toe. He wears a black baseball cap with a giant ‘N’ on it, stenciled in white. Below that, the figure wears a pair of sunglasses and covering his mouth and nose is a black bandage. Whichever parts of his face is still visible, is painted black with facepaint. The figure wears a black trenchcoat, opened up revealing a dark gray shirt. Below that is a pair of black jeans, toped off with a pair of black boots. On his hands is a pair of black gloves.
FIGURE
I highly suggest you let the girl go.
Todd, Johner, and Brad look at each other and smile. Johner lets go of the girl.
JOHNER
Sure, whatever you say.
The three turn to face the figure, smiling in evil delight. Brad takes out a switchblade, popping it open.
BRAD
You shouldn’t have taken my bat, asshole.
Johner and Brad rush the figure, Brad jamming his blade forward, Johner swiping his bat. The figure jumps in the air, flips over their heads, and lands on his feet behind the girl. He turns and grabs the girl from behind. He twirls around, causing them both to turn. After they turn, the figure lets go and continues turning, so he is now facing the punks again, the girl safe behind him. She turns and runs off. The figure jumps straight up in the air, swinging his foot out, kicking Brad in the chin.
Brad stumbles back and trips, falling down. Johner runs with the bat and swings down, just as the figure dodges to the side and slams his elbow to the back of Johner’s head, causing him to stumble forward. Then the figure half-turns in the other direction and elbows him in the face. He swings his foot at the back of Johner’s foot in a hook, tripping the punk, causing him to fall.
The figure raises his foot up and slams it down on Johner’s chest. Johner yelps in pain and lets go of the bat. The Figure kicks the bat away.
FIGURE
Get lost and make sure I never see you again.
Todd, who had stayed out of the duel, takes a step towards the figure, slightly amused by his display.
TODD
Who are you?
FIGURE
I’m Nightshade.
Nightshade turns and runs off into the darkness. As Brad and Johner pick themselves up, Todd stares into the darkness where Nightshade ran off.
Cut to:
Opening credits roll as the song ‘Whisper’ by Evanescence plays. As the credits roll, the camera passes over various parts of Nightshade’s attire, starting with the rims of his sunglasses, moving from one end, to the front, around the lenses, and to the other end. Fade Out. In the darkness, show some of the credits.
Fade in on his hat, then after a few seconds, zooming in to a close-up of the symbol. Fade Out. In the darkness, show more of the credits.
Fade in on the bandage laid out on a shelf in a closet. Fade out. In the darkness, show more of the credits.
Fade in on his jacket hanging on a coat hanger. The camera starts at the top and moves its way down. Fade out. In the darkness, show more of the credits.
Fade in on the boots on the floor. Fade out. In the darkness, show the last of the credits.
Fade in:
INT. ST. WAINLUK HIGH SCHOOL – HALLWAY – DAY
The halls are packed with students going about their business. Some at their lockers, others talking with friends, some heading to classes, others aimlessly walking. One of the Grade 12 students, SCOTT PRUTER, walks into the halls from outside, a bookbag slung over his shoulders. He has heavy bags under his eyes and he yawns as he walks down the hall, heading for his locker.
FEMALE VOICE
Scott!
Scott turns and sees ASHLEIGH MACDONALD walking up to him.
SCOTT
Hey Ash.
Ashleigh sees Scott’s eyes.
ASHLEIGH
Wow, you look horrible.
SCOTT
Gee, thanks.
ASHLEIGH
Late night last night?
SCOTT
Yeah, kind of. Couldn’t sleep.
ASHLEGH
Well you know you can always call me on my cell, even late at night. I don’t mind waking up and talking to you.
SCOTT
Thanks, but I think I’ll pass. Unless you’re really boring on the phone and can put me to sleep.
Scott and Ashleigh laugh for a minute, but then Ashleigh waves to a group of her friends.
ASHLEIGH
I’ll catch you later.
SCOTT
C-ya around.
Ashleigh goes and joins her friends. Scott stares after her. A hand falls on Scott’s shoulder and he turns to see his friend, CURTIS COATES.
CURTIS
Ashleigh MacDonald. A year below us, yet mature enough to already be graduated. And the object of your heart’s desire for as long as you can remember.
SCOTT
Curtis…
CURTIS
You know it’s true. Everyone knows it.
SCOTT
She just got out of a bad relationship. I don’t think she would want…
CURTIS
(Cutting Scott off)
Now would be a perfect time. Oh by the way, Happy Birthday.
SCOTT
Thanks.
Scott turns to look at Curtis.
CURTIS
Wow you look…
SCOTT
(Cutting Curtis off)
Shut up.
They start walking down the hall, and one of the many people they pass is a nerdy kid, MARK ABBOT.
CURTIS
Hey Mark, I got a trick for you.
Mark turns and smiles.
MARK
What is it?
Curtis takes out a quarter from his pocket.
CURTIS
I bet you five bucks that you can’t roll this quarter from the top of your forehead down to your chin, without it leaving your face.
MARK
That’s easy!
CURTIS
I don’t know. I tried it last night and I couldn’t do. It was really frustrating.
Curtis gives the quarter to Mark, who puts it on its side at the top of his forehead and rolls it down his face, to the bottom of his chin. However, Mark is unaware of the pencil-lead line that the quarter is leaving on his face. He finished it.
MARK
See? I told you it was easy.
CURTIS
Gee Mark, you sure showed me.
Curtis takes his quarter back and him and Scott start walking away, giggling.
MARK
Hey, where’s my money?
CURTIS
We never shook on it!
Curtis and Scott walk further away and as they do, Curtis takes out a pencil and starts running the lead over the side of the quarter.
SCOTT
I wonder why that kid doesn’t have any friends. I mean, I know why we aren’t friends with him, but why isn’t he friends with the other nerds?
CURTIS
I was told it was because he lied to them a lot. Made up stories about himself so he would sound cooler then he is. They found out. Mark always was a looser. Born that way I think.
Scott laughs as they continue on.
INT. PUNK CLUB – MAIN ROOM – DAY
‘Truth or Dare’ by N.e.r.d plays throughout the scene. We see the inside of some kind of hidden refuge for thugs, street punks, and criminals of all kinds and all ages. Throughout the room are even some ‘dirty’ cops mingling within the crowd. Heavy cigar and cigarette smoke clings around the room. There are dozens of tables set up, some used for various card games, others used for dealing drugs, and there were booth seats for just sitting and conversating. There are no windows or anyway for outside light to shine through. There is a bar set up at one end of the room and nude dancers dancing in cages. Strobe and neon lights flash all over the room.
A chubby but muscular man sits in one of the booth seats, two topless women on either side of him, cuddling him. This man is JONAS BECKER. Todd from the intro walks over and sits in the seat opposite Jonas. Jonas stretches out his hand, offering Todd a smoke. Todd takes one out of the pack and puts it in his mouth, using his own lighter to light it. He leans back as he breathes in and then out on the smoke.
JONAS
I hear you got some news on this little boy playing hero that’s disrupting a lot of my business.
TODD
That’s right Mr. Becker, I…
JONAS
(Cutting Todd off)
Please, call me Jonas.
TODD
I had a run-in with him last night. Me and my crew. The little son of a bitch took both of them out in just a couple minutes, and you know how tuff they are.
JONAS
Is it true what they say? About him being just some kid?
TODD
He certainly looked and sounded like he was no older then 18 at the most.
JONAS
Then it’s just a fad. Some comic book fanboy that wants to feel like one of his great nerdy idols. It’ll pass as soon as his fad ends. Until then, he could pose some kind of trouble. He’s already a nuisance. Does the bugger have a name?
TODD
He calls himself Nightshade.
JONAS
From previous encounters, it seems like he only comes out at night. I want you to recruit more members into your gang. Hell, I’ll even supply you with some. Then I want you to go looking for him. It shouldn’t be too hard. Just cause some kind of ruckus and I’m sure he’ll come straight to you. And you don’t need to worry about the police. I have them under my payroll, so they won’t get in the way. Once you have him, crush him. He’s only a boy after all. He may be strong, but he can’t be that smart.
TODD
Yes sir. He’ll be as good as ours.
JONAS
Make sure that he is. Now, can I buy you a dance?
Todd smiles. Jonas raises his hand and snaps his fingers. Within seconds a nude dancer comes and sits on Todd’s lap, giving him a lap dance. Jonas turns and starts making out with the two women on his sides.
EXT. SIDEWALK – DAY
Scott and Ashleigh are walking down a sidewalk, the school far behind them. We can tell by the amount of activity behind them at the school, that school has ended for the day.
ASHLEIGH
You know, you don’t have to walk me home.
SCOTT
I know, but I want to. I have to walk past your house on my way home anyway, and I like talking to you.
Ashleigh smiles as they continue to walk.
ASHLEIGH
So what do you do for fun?
SCOTT
Oh you know, this and that. Dressing up as a superhero and saving the day mostly.
Ashleigh laughs and Scott smiles at her laughter.
ASHLEIGH
Well you know, if you ever want to get together and do something sometime, just give me a call or come on over. I’m usually home. Besides, I could probably use a dose of ‘saving the day’ to spice up my social life after Rob and I broke up.
SCOTT
Yeah, I’m sorry to hear about that.
ASHLEIGH
Don’t be. Rob is a dushbag bastard. I’m happier now that I’m not with him.
They stop outside Ashleigh’s house.
ASHLEIGH
Well this is my house. I guess I’ll talk to you later on.
SCOTT
Yeah, definitely.
Ashleigh turns and heads inside her house. Scott sighs as he continues on to his own house.
INT. SCOTT’S HOUSE – PORCH – DAY
Scott walks into his house and takes his shoes off in the porch.
SCOTT
I’m home!
Scott’s dog, RAPTOR, comes running and jumps at Scott. When Scott leans down to pet Raptor, the dog starts licking his face. Scott laughs.
SCOTT
Ok boy, down.
Scott walks further into his house, Raptor trailing behind him. He walks into the kitchen and his parents are sitting at the table.
MOTHER
Oh Scott, you’re home!
FATHER
Happy Birthday, son.
SCOTT
Thanks.
MOTHER
How was school?
SCOTT
The usual. Got a little bit of homework to do tonight.
FATHER
We only got you one present this year, however I think it’s something you’ll really like.
SCOTT
Awesome, just let me use the bathroom first.
Scott drops his bookbag onto the floor and goes down the hall to the bathroom.
INT. SCOTT’S HOUSE – BATHROOM – DAY
Scott walks in and closes the door, turning on the light. He leans close to the mirror and checks his eyes. He sighs. The bags under his eyes look even heavier then earlier.
SCOTT
(Whispering)
Gonna have to get some sleep tonight somehow.
Scott opens the door and heads back out.
INT. SCOTT’S HOUSE – KITCHEN – DAY
Scott enters back into the kitchen and his parents stand up, smiling.
FATHER
Your mother and I knew how much you wanted one ever since Uncle Rodney taught you how to use one. Luckily my dealership got a supply of them in just the other day.
Scott looks at his parents, a smile forming on his face.
SCOTT
Is it what I think it is?
FATHER
Go check for yourself. In the garage.
Scott turns and rushes to the garage door, his parents close behind him. He opens the door and walks into the room. A sheet covers something big in the middle of the room. Scott’s father moves past him and goes to stand beside the object. His mother makes a fake drum toll noise as his father reaches and pulls back the sheet, revealing a brand new shining black motorcycle. Scott’s eyes light up.
SCOTT
Wow.
Scott’s father reaches down to the floor and pulls up a helmet. He wipes a speck of dirt off and tosses it to Scott. Scott catches it.
FATHER
Take it for a spin.
A large smile breaks across Scott’s face.
INT. ASHLEIGH’S HOUSE – ASHLEIGH’S BEDROOM – DAY
Ashleigh is in her bedroom, sitting at her desk, doing homework. She sighs and squirms in her seat. After a few seconds she signs out of frustration and throws her pen across the room.
ASHLEIGH
Stupid math…
The doorbell rings, causing Ashleigh to look up.
ASHLEIGH’S MOTHER
(V.O.)
Can you get that, dear?
ASHLEIGH
Yes mom!
Ashleigh gets up and makes her way to the door as three knocks are heard. She opens the door and Scott is standing there with a helmet in his hands.
SCOTT
Let’s go for a ride.
ASHLEIGH
A ride? I didn’t know you had a car.
Scott moves to the side and Ashleigh sees the motorcycle. She’s speechless.
SCOTT
I got it as a birthday present.
ASHLEIGH
It’s your birthday?
Scott nods.
ASHLEIGH
Happy Birthday. Sorry. If I had known I woulda gotten you something.
SCOTT
Don’t worry about it. So you want go for a ride?
ASHLEIGH
Sure, just let me get my jacket.
Ashleigh disappears inside for a few seconds and then re-appears wearing a jacket. They walk to the motorcycle and Ashleigh climbs on behind Scott and wraps her arms around his waist. We see Scott smile before he closes the visor and starts the bike up.
The song ‘Chained to You’ by Savage Garden plays as we see a montage of scenes. The montage is of them riding around town. In some shots, Scott speeds up, causing Ashleigh to scream in excitement, in others he slows down due to traffic. They zoom past the school and up and down dozens of streets, passing by houses and an assortment of other buildings. Half-way through the montage, we see them stopped at a gas station, refueling the motorcycle. The montage lasts for several minutes. By the time it ends, we can tell by the sky that it’s evening. It ends with Scott dropping Ashleigh off at her house. Scott takes his helmet off.
ASHLEIGH
That was fun.
SCOTT
I had a great time.
ASHLEIGH
Me too.
SCOTT
Go out with me.
ASHLEIGH
What?
SCOTT
Tomorrow night. Go with me to the movies.
Ashleigh smiles.
ASHLEIGH
Ok. I have gymnastics right after school though.
SCOTT
Yeah, that’s ok. I have Tae-Kwon-Do right after school too. We’ll go to the late showing.
ASHLEIGH
We should go for another ride too.
SCOTT
Definitely.
ASHLEIGH
Good-Night, Scott.
SCOTT
‘Night, Ash.
Ashleigh turns and goes inside. Scott puts his helmet back on and drives off back to his house.
INT. SCOTT’S HOUSE – SCOTT’S BEDROOM – NIGHT
It’s late night and everyone is asleep. The only light in Scott’s room comes from his computer screen. Scott sits at his computer, printing something off. We don’t see the computer screen.
While the printer is printing, Scott stands up and moves quietly out into the hall and over to his parents room. He slowly and carefully opens their door slightly, peeing in. His mother and father are both sleeping, one of them snoring. Scott slowly closes the door and heads back to his room.
Scott opens the door to his closet and on a hanger we see a dark gray shirt under a black jacket. Scott reaches for the hanger. Fade out.
Fade in. From behind Scott, we see him tying the bandage around the lower part of his face. Fade out.
Fade in. We see Scott reach onto the floor of his closet, wearing black gloves, and grab a pair of boots. Fade out.
Fade in. We see Scott finishing tying his shoes and he stands up, reaching for his sunglasses that are on his desktop. He puts them on and opens a drawer, taking out black face paint. Fade out.
Fade in. Nightshade opens the door to the garage carefully, not making a sound. He turns on the light and closes the door behind him. He goes over to his new motorcycle and bends down, taking a shape off the sheet of paper he had printed off. He puts it on the side of his bike, pressing hard on it to keep it there. He steps back and we see it’s a giant white ‘N’. He goes over and does the same thing on the other side of the motorcycle. He goes over to a shelf and takes down his black helmet and puts an ‘N’ on the front of that as well.
Nightshade folds the beak of his hat up as he slides the helmet on, lowering the black visor. He gets on the motorcycle and starts it up, pressing a button on a remote to open the garage doors. He zooms out of the garage into the night.
EXT. ST. WAINLUK – RANDOM STREET – OUTSIDE STORE – NIGHT
A street thug dressed in a ski mask hauls a brick through the window of a store. An alarm blares and he rushes inside. The camera stays trained on the broken window. We hear smashing and breaking sounds from inside. The thug runs back out with a bulging sack hung over his shoulder. He takes a look around to see if there are any witness. Suddenly we hear the sound of an approaching engine.
THUG
What the…
The camera spins around so we see what the thug sees. It appears that a motorcycle is driving by itself, heading towards the thug. As it gets closer we see Nightshade riding it, his dark clothes having camouflaged him from a distance. As the motorcycle gets nearer, the thug doesn’t know what to do. He turns to run but Nightshade catches up easily and passes him.
Nightshade slams on the breaks as he turns the motorcycle to the side, blocking the thug. The thug doesn’t have time to stop and slams right into the motorcycle, flipping over motorcycle comes to a complete stop a few yards away.
Nightshade gets off the motorcycle, still wearing his helmet, and runs towards the thug, picking up speed. The thug is slowly standing up. He stands up just as Nightshade reaches him and Nightshade does a back flip, but as he does, slams his leg out, so he ends up kicking the thug as he flips back. The thug flips back in the other direction.
Nightshade lands on his feet and walks over to the thug, leaning down and punching him to knock him out. Sirens in the distance, approaching. Nightshade goes back over to his bike, gets on, starts it up, and takes off. He drives around a corner just as police cars start coming from another street, piling into the area.
EXT. ST. WAINLUK – RANDOM STREET – NIGHT
Two people are leaning against a wall of a building. One wears a tank top and has a cigarette hanging out of his mouth. The other wears a jacket. The one wearing a jacket hands some money to the guy with the tank top, and in return he gets a bag of dope handed to him.
JACKET
Nice doing business with you. If this shit is as good as I’m told, we’ll be seeing more of each other.
TANK TOP
My shit is always good. You have a problem with my shit, you have a problem with me, and I don’t like problems.
JACKET
Of course. I have no doubt I’ll enjoy this bag.
TANK TOP
Just remember who deals the best shit for the lowest prices and we’ll do fine in the future.
Jacket smiles.
NIGHTSHADE
(V.O.)
Hi-ya Fellas.
Jacket and Tank Top whip their heads to see Nightshade walking out of the darkness towards them. Nightshade is no longer wearing his helmet, and has his hand on.
TANK TOP
Frank, is that you?
NIGHTSHADE
Far from him.
Tank Top takes out a gun and points it at Nightshade. Nightshade stops walking towards the couple.
TANK TOP
Who are you?
NIGHTSHADE
I’m Nightshade.
TANK TOP
What do you want?
NIGHTSHADE
Well a Bic Mac would be nice, but I doubt I’ll be getting that off you.
TANK TOP
If you want some of my shit, I can set up a meeting for another time.
NIGHTSHADE
Why would I want some of your shit? That’s just plain gross. Next you’ll be asking if I want your piss too.
TANK TOP
Wise-ass…
Tank Top fires, but Nightshade predicted that and moves a few seconds sooner. However Jacket sees him moves and slams his leg out, catching Nightshade in the gut. He doubles over and spits on the ground. Jacket goes to kick him again, but Nightshade grabs his leg and pulls up as he stands up. Jacket’s leg goes up in the air and Jacket falls down on his back.
Tank Top turns to point the gun at Nightshade, but Nightshade grabs the gun barrel with his hand and points it away from him as Tank Top fires.
Tank Top uses his other hand and punches Nightshade in the side of the head. Nightshade lets go and stumbles to the side, moaning slightly. Tank Top aims the gun and fires again, but there’s only a click.
TANK TOP
Fuck.
He puts the gun away and does an uppercut to Nightshade, catching him square in the face. Nightshade lets out a yell and stumbles backwards. Jacket is now on his feet again and goes to punch Nightshade, but Nightshade blocks and then punches Jacket in the face. Then he swings his foot sideways and catches Jacket in the chest, slamming him into a wall. His head hits against the wall with a loud thunk, and he falls to the ground, unconscious.
Tank Top runs towards Nightshade, his arm pulled back to punch. Nightshade goes to duck, but instead of punching, Tank Top slams his knee up, catching Nightshade in the chin. He slams his elbow down at the back of Nightshade’s head, knocking him to the ground.
Nightshade doesn’t move. Tank Top brings his foot up, and slams down. Nightshade turns over onto his back and catches the foot in his hands. He shoves up, toppling Tank Top back. Tank Top falls onto his ass. Nightshade stands, but wobbles a bit. He turns to Tank Top and slams his foot sideways, slamming it into Tank Top’s face. He falls back, also unconscious.
Nightshade holds a hand to his head as he walks to Jacket and bends down, taking the bag of dope.
NIGHTSHADE
Motherfuckers…That hurt.
He goes to a nearby manhole cover and lifts it up. He drops the dope into the rushing sewage below and closes the cover.
10/10/2004 11:57:21 PM
(Updated: 10/11/2004 9:45:09 PM)
(Updated: 10/11/2004 9:51:15 PM)
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